“A Stylish Inspiration for Caravaggio’s Triumphant Cupid,” Notes on Early Modern Art, vol. 4, no. 2 (2017), pp. 5-10.
“The Unseeing Scholar in Leonardo da Vinci’s Adoration of the Magi,” Source: Notes in the History of Art, vol. 35, nos. 1-2 (Fall/Winter 2016), pp. 126-134.
“Anti-Semitism and Vice in Spinello Aretino’s Flagellation of Christ,” Notes on Early Modern Art, vol. 3, no. 2 (2016), pp. 11-18.
“Dogs of Infamy in Lorenzo de’ Medici’s Birth Tray,” Source: Notes in the History of Art, vol. 32, no. 4 (Summer 2013), pp. 1-6.
“A Theology of Architecture: Edward Savage’s Portrait of George Washington and his Family,” Source: Notes in the History of Art, vol. 31, no. 1 (Fall 2011), pp. 29-36.
“Giorgio Vasari and Ascanio Condivi on the Iconography of Michelangleo’s Sistine Chapel Frescoes,” in The Chapels of Italy, from the Twelfth to the Eighteenth Century: Art, Religion, Patronage, and Identity, ed. Lilian Zirpolo (Woodcliff Lake, NJ: The WAPACC Organization, 2010), pp. 307-329.
“Wordplay, Gesture and Meaning in Leonardo da Vinci’s Cecilia Gallerani,” Word and Image: A Journal of Verbal/Visual Inquiry 24, no. 2 (April-June 2008), pp. 127-138.
“A Matter of Style: The Question of Mannerism in Seventeenth-Century American Furniture” Winterthur Portfolio: A Journal of American Material Culture, vol. 38, no. 1 (Spring 2003), pp. 1-36.
2016 - Winterthur Research Fellow
2015 - The John Staub Award, Institute of Classical Architecture and Art, Texas Chapter, for George Washington's Eye
2014 - The John Brinckerhoff Jackson Book Prize, given out by the Foundation for Landscape Studies, for George Washington’s Eye
2012 - Honorable Mention, Prose Award, in the category of Architecture and Urban Planning, 2012, Association of American Publishers, for George Washington’s Eye
2009 - Individual Research Fellowship, Humanities Research Center, Rice University
2006 - Outstanding Faculty Associate, Baker College, Rice University