“‘Gorgeous but altogether false’: Turner, Cole and Transatlantic Ideas of Empire,” for Alan Wallach and Andrew Hemingway, eds., Trans-Atlantic Romanticism, anthology in preparation. (Amherst, MA: University of Massachusetts Press, 2014).
"Contested Waters," in Richard Johns and Christine Riding, eds, Turner and the Sea (Greenwich: National Maritime Museum, 2013).
"Turner, West and the End of Contemporary History Painting," in Emily Neff and Kaylin Weber, eds, Copley and West: American Adversaries in a Transatlantic World (Houston: Museum of Fine Arts, 2013).
“This cross-fire of colours’: Turner and the Varnishing Days Reconsidered,” British Art Journal, v. 10, #3 (February 2010).
“Confronting the Sublime,” in Ian Warrell, ed., J.M.W. Turner, (exhibition catalog), London: Tate Publishing, 2007: pp. 39-55.
“Turner’s Slave-ship: Towards a Dialectical History Painting,” in Brycchan Carey, Markman Ellis and Sarah Salih, eds., Discourses of Slavery and Abolition: Britain and Its Colonies 1660-1838, Basingstoke and New York: Palgrave McMillan, 2004: pp. 209-22.
Vija Celmins: Works from the Edward R. Broida Collection, Houston: Museum of Fine Arts, 2002
With Gridley McKim-Smith, “Crafting the Intangible: The Art of John Clemmer,” in David Clemmer, Leo Costello and Gridley McKim-Smith, John Clemmer: Exploring the Medium, 1940-1999, (exhibition catalog), New Orleans: New Orleans Museum of Art, 1999.