“Complicating Medieval Anti-Semitism: The Role of Class in Two Tales of Christian Violence against Jews," Gesta 55.1, Spring 2016)
“Beyond Human: Visualizing the Sexuality of Abraham Bosse's Mandrake,”
in Renaissance Posthumanism, edited by Joseph Campana and Scott Maisano
(Fordham University Press, in press).
“A Yiddish Minhagim Manuscript,” in Skies of Parchment, Seas of Ink: Jewish Illuminated Manuscripts, ed. by Marc Michael Epstein (Princeton: Princeton University Press, 2015), pp. 225-28.
“Household Help: Early Modern Portraits of Female Servants,” Early Modern Women: An Interdisciplinary Journal, 8 (2013): 5-52 . Reviewed in Times Literary Supplement, Economic History Review (Feb. 2015).
“Paupers,” “Introduction” (co-authored with Dena Woodall), and ten catalogue entries in Princes and Paupers: The Art of Jacques Callot, ed. by Diane Wolfthal and Dena Woodall (Houston: Museum of Fine Arts, distributed by Yale University Press, 2012).
“Sin or Sexual Pleasure? A Little-Known Nude Bather in a Flemish Book of Hours,” in The Meanings of Nudity in Medieval Art, ed. by Sherry Lindquist (Aldeshot: Ashgate Press, 2012), 279-97.
“The Sexuality of the Medieval Comb,” in Exploring the Thresholds of Medieval Visual Culture, ed. by Elina Gertsman and Jill Stevenson (Woodbridge: Boydell Press, 2012), 176-94.
“Religious Devotion, Aristocratic Status, and Crusading Fervor in Rogier van der Weyden’s Diptych of Philippe de Croÿ,” in New Studies on Old Masters: Essays in Renaissance Art in Honor of Colin Eisler, co-edited by John Garton and Diane Wolfthal (Toronto: Centre for Reformation and Renaissance Studies, 2011), 105-23.