Dr. Graham Bader
Graham Bader’s recent projects include Artforum articles on Kurt Schwitters,
Gerhard Richter, and the use of absence as a commemorative trope; an essay on
twentieth-century photomontage in the 2012 MFAH catalogue Utopia/Dystopia: Construction and Destruction in Photography and
Collage; and a contribution on Roy Lichtenstein in the edited volume Contemporary Art/Classical Myth, published by Ashgate in 2011. For the 2012/13 academic year, he was a visiting scholar at the Humboldt University in Berlin, where he continued his research on Schwitters and early twentieth-century German art.
Dr. Leo Costello
Leo Costello's book J.M.W. Turner and the Subject of History
was published in June 2012 by Ashgate Press. He is currently at work on
several projects including essays for the upcoming history paintings
exhibition at the Museum of Fine Arts, Houston and the Turner at the Sea
show at the National Maritime Museum in London. He is also researching
his next book, Pictures of the Nothing: Romantic Figurations of the Void.
Dr. Shirine Hamadeh
This summer Shirine Hamadeh participated in a workshop on Labor and Local Belonging in Early Modern Global Contexts at Berlin’s Humboldt-Universität. In the Fall she was invited to present her work on bachelor-houses in 18th- and early 19th-century Istanbul at the Orient-Institut Istanbul, as part of the institute’s lecture series, Reclaiming Istanbul’s Public Spaces in Past and Present. Her recent and upcoming publications include an article on the Public Sphere in the Eastern Mediterranean between 1650 and 1950 for the Blackwell Companion of Islamic Art and Architecture, an essay on 18th-century Ottoman global aesthetics and two articles dealing with aspects of her current book-length project, Streets: An Urban History of Istanbul (1720-1840).
Dr. Gordon Hughes
Gordon Hughes just finished a 10 month fellowship at the Getty Research Institute in Los Angeles. So far he has presented three talks this year: on Fernand Léger at Vanderbilt University; on James Turrell at Rice; and on “murder and abstraction” at the Getty. His essay “Braque’s Regard” was published as part of the catalogue to the exhibition Braque and the Cubist Still Life, 1928-1945, held at the Kemper Art Museum in St. Louis and the Phillips Collection, Washington D. C. His essay “Abstraction Chez Delaunay” appeared in the catalogue to the exhibition, Inventing Abstraction, 1910-1925 at the Museum of Modern Art, New York. The journal Nonsite published his essay, “The Painter’s Revenge: Fernand Léger for and against Cinema.” This coming November he will be a delivering a talk at the University of Pennsylvania on the work of Fernand Léger. He is currently hard at work curating an upcoming exhibition and editing its accompanying catalogue on the 100 year anniversary of World War One, due to open at the Getty Research Institute in November 2014.
Dr. John Hopkins
John Hopkins recently published two articles on the Temple of Jupiter Optimus Maximus in Rome that explain how Romans built such a colossal building so early in their history--even before the Parthenon in Athens--and how its size, image and sophistication effected the history of Roman temple design over the longue durée. In the Spring of 2013 he spoke at Harvard University on his current book project, a study of Rome's earliest architecture and its effects on the history of Roman art, architecture and Republican society. For the Fall of 2013 he has been invited to lead discussion on urbanism in early Rome and give a talk on the transition between monarchy and Republic at Tarquinius Superbus: A Paradigm Shift, an international conference held in Rome at the Royal Netherlands Institute and British School at Rome.
Dr. Fabiola López-Durán
Fabiola López-Durán presented a paper, "Ut-opiates: Nature, Art
and Architecture," at L'École Spéciale d'Architecture in Paris,
last September. She recently participated as moderator at
international symposium, "Mining the Archive: New Paths for Latin
American/ Latino Art Research," the event that followed the launch
of a remarkable project: the ICAA International Center for
the Arts of the Americas' digital archive and publications project
of twentieth-century Latin American and Latino Art documents.
López-Durán is a member of the
ICAA Editorial Board.
Dr. Joseph Manca
Professor Joseph Manca's George Washington's Eye: Landscape, Architecture, and Design at Mount Vernon (The Johns Hopkins University Press) was recognized by the Association of American Publishers as one of the top three books in the field of Architecture and Urban Planning published in the US in 2012; it received an Honorable Mention in that category. He recently published the article "Dogs of Infamy in Lorenzo de’ Medici’s Birth Tray," in Source: Notes in the History of Art (Summer 2013).
Dr. Linda Neagley
Prof. Linda Neagley’s most recent study “Portals of the Bayeux Tapestry: visual experience, spatial representation and oral performance” appeared in 2011 in The Bayeux Tapestry. New Approaches. In May 2012 her class on “The Visual Culture of Medieval Pilgrimage” walked the 120 mile French medieval pilgrimage trail called the Via Podiensis from Le Puy to Moissac. Her current project, “Virtual Rouen” involves the use of new spatial technologies to model the medieval city in order to study the spatial and visual experience of the city at the end of the middle ages. She is currently on the Board of Directors of the International Center of Medieval Art at the Cloisters in New York.
Dr. Lida Oukaderova
Last spring, Lida Oukaderova was invited to present her work at the Russian Cinema Research Group at University College London (UK) and participated in a panel on Money and Russian Culture at the annual meeting of the British Association for Slavonic and East European Studies. Her article “I am Cuba and the Space of Revolution” will appear in the journal Film & History in 2014. Next spring, she will speak on the Russian director Kira Muratova as part of the panel “Space, Place, and Gender” at the annual convention of the Society for Cinema and Media Studies in Seattle.
Dr. Shih-shan Susan Huang
Shih-shan Susan Huang’s book, Picturing the True
Form: Daoist Visual Culture in Traditional China (Harvard University Asia
Center, 2012) has been nominated for the Levenson Prize. Her recent studies of
Buddhist illustrative prints appear in Ars
Orientalis (2011), an edited volume by Brill (2011), and a forthcoming conference
volume published in Taiwan. She has contributed chapters on Daoist material culture
and ritual objects for two conference proceedings that will be published in
Hong Kong and China. Professor Huang has been invited to give talks at UCLA,
Yale, and the Bard Graduate Center in Fall 2013. She and Professor Diane
Wolfthal will co-chair a panel on medieval global art history at the 2014 CAA
Dr. Diane Wolfthal
This past summer Diane Wolfthal accepted an invitation to speak at a conference on the Jewish book at the Ca’ Foscari University of Venice. She also was invited to serve as a Museum Scholar at the J. Paul Getty Institute from April through June. This September she was invited to speak at Duke University at the conference "Medieval Masculinities," where she will present the paper, "When did servants become men?" Professor Wolfthal has been invited to
present a talk in the conference on "Trauma and History" this Spring at
UT-Austin. Her talk will explore Christian responses to two medieval
atrocities against Jews.